“Choreography at the Center: PROCESS – Final Presentations” showcases short performative works prepared by participants of an advanced experimental choreography course organized by the Burdąg Foundation. The course ran from September to December 2025 and took place at Studio Burdąg and Centrum w Ruchu.

The program included individuals with choreographic experience who were developing their own projects: Paulina Fonferek, Barbara Derleta, Agata Skrzypek, Kinga Senczyk, Klaudia Korzeniowska, Marta Czajkowska, Agata Gregorkiewicz, Ola Bratkowska, Marcin Miętus, Magdalena Siemaszko, Emma Szumlas, Wojtek Kozak, Anna Mendrek, Ania Maj, and Aleksandra Konieczna.

The course was led by Marta Ziółek, Przemek Kamiński, and Maria Stokłosa. The program focused on practice, experimentation, and feedback exchange among participants.
In this approach, choreography is understood broadly – extending beyond the composition of movement to become a method of embodied thinking, a tool for analysis and reflection, and a form of action in response to the complexities of the contemporary world.

Choreographer, educator, and researcher. He graduated in choreography from the HZT Inter-University Centre for Dance at the University of the Arts in Berlin and in visual anthropology from the Media University of Applied Sciences in Berlin. In his research, he explores expanded choreography as a practice for designing educational experiences. He has led workshops and courses at institutions such as the Dresden University of Fine Arts, radialsystem in Berlin, K3 in Hamburg, Centrum w Ruchu in Warsaw, Pawilon in Poznań, and the University of the Arts in Stockholm. His works have been presented at venues including Nowy Teatr, the Museum of Art in Łódź, the Museum of Modern Art in Warsaw, Kunsthalle Zürich, Kampnagel in Hamburg, and during Tanztage Berlin. He was a resident at K3 in Hamburg, the Workshop Foundation in Budapest, and I.C.I./CCN in Montpellier, and a scholarship holder of the Berlin Senate, Gwaertler Stiftung, and the International Visegrad Fund.

Przemek Kamiński

Choreographer, dancer, and pedagogue. She is a graduate of the School for New Dance Development (SNDO) in Amsterdam and the London Contemporary Dance School at The Place. She combines choreography with the practice of dance improvisation. She is the author of performances such as “Publika” (Nowy Teatr in Warsaw), “Królowa Wody” (CSW Ujazdowski Castle), “Wychodząc od działania,” “Złote Demony,” “Wylinka,” and “Mama Perform.” She is involved in the development of experimental choreography as an initiator of educational projects, a teacher, and the president of the Burdąg Foundation, co-creating Centrum w Ruchu. She leads the annual course “Choreography at the Center” and workshops at institutions including Mozarteum in Salzburg, Tanzhaus Zürich, and LaSalle College of the Arts in Singapore. She served as the chairwoman of the Program Council of the Institute of Music and Dance.

Maria Stokłosa

Choreographer, director, and performer, a graduate of SNDO in Amsterdam. In her practice, she explores the emancipatory and social power of dance, utilizing techniques of bodily participation and empowerment. She conducts workshops empowering women, treating dance as a space for collective action, resistance, and transformation. She creates hybrid forms combining gestures from street culture and high art, engages in the self-staging of the female body and voice, and works at the intersection of dance, film, and theater. She is the author of performances such as “Panie Władzo, to są tylko tańce” (in collaboration with Anka Herbut), “Monstera,” “Trucizna,” “PIXO,” “Zrób siebie,” and the film “Ustawienie.”

Choreographer, director, and performer, a graduate of SNDO in Amsterdam. In her practice, she explores the emancipatory and social power of dance, utilizing techniques of bodily participation and empowerment. She conducts workshops empowering women, treating dance as a space for collective action, resistance, and transformation. She creates hybrid forms combining gestures from street culture and high art, engages in the self-staging of the female body and voice, and works at the intersection of dance, film, and theater. She is the author of performances such as “Panie Władzo, to są tylko tańce” (in collaboration with Anka Herbut), “Monstera,” “Trucizna,” “PIXO,” “Zrób siebie,” and the film “Ustawienie.”